《哈姆莱特》读后感(Hamlet.)ThestoryhappenedinEyre'.TheprinceofDenmark,Hamlet'sfatherdied,hesawhismotheranduncleusurpedthethroneandmarryinhaste,fullChaoWenwutounclewhenhefeltdeeppain.Atthismoment,thefather'sghostappearedandtoldhimhewasactuallymurderedbyhisbrother.Hamlettbeganhisrevengeplan.Readthis,IthinkHamlettisastrongman,afterhisfatherdied,hedidnotrecover,butstrengthenedhisdeterminationtorevenge.Theprincepretendedtobeinsaneinordertoprovetheghost'swordsandescapetheenemy'ssurveillance.Hisuncleisverysuspect,oldclassmatesandtworoyalsentHamlet'sformerSecretaryPologneJ'sdaughterOphelia-hislovertotesthim,thiswasHamletoneout.Toconfirmtheghost,Hamletarrangedaplotthatwasverysimilartothemurderofhisfather.Whenhisunclewasthrownintoapanic,thusexposingthemselves.Usingaplay,Hamlettdeterminedthattheghost'swordsweretrue.Andhisvengeancegrewstronger.Atthistime,thequeenwasinstructedbyherhusbandtotalktotheprince.Inherconversationwithhermother,Hamlettblamedherwithanextremelysharpword."Don'tyoufeelashamed."Ifthehelltocanbeinamiddle-agedwomaninthemarrowfannedoutwriggling,thenintheyouthflames,letchastitymeltlikewax.Whenunabletopreventlustamassiveattack,thereisnoneedtoshoutwhatashame,becausethesnowwillautomaticallyburn,reasondolustslave.""Thistypeofbehavior,wouldmakeacovenanttobecomeabodywithoutasoul,asacredweddingintoastringofdeliriuminthefaceofheavenraving;alsobringshametoitscolor,becausetheearthsadsuchbehavior,
alsocoverasmile,asiftheworldisgoingtoendlikea."Thesewordsmakethequeenfeelveryashamed,justlikeaswordandputherheartintohalves.Atthesametime,HamlettoverheardPologneJstabbedthecurtain.PologneJisamanknownonlytocurryfavour,Wangobsequious.Nowdeathisdeserved,butthisgavehisuncleabanishedhisexcuse,heisdeterminedtogetridofHamlet,hewenttoEnglandtodesignschool,andwanttogetridofHamlettbythehandsofothers.Buttheplotwasalsoseenbytheprince,whoturnedbackhalfwaytodenmark.Hisuncleandameter,lettheChamberlainsonofLaertesandPrincethanthesword,secretlypreparingthepoisonpoisonsword.Inthegame,Hamletwaspoisonedsword,andtheswordwithpoisonstabbedhisuncleandLaertes,becausedrinkingwinequeendied,four.HamletaskedthedyingfriendHoratiotocontinuehisunfinishedbusiness.It'sapitythatHamlettdiedsomiserably.Ifheisstillalive,Ibelievehewillbeawisemonarch.IntheprocessofHamlett'srevenge,someregretisOphelia'sdeath.Hamlettdidn'tthinksowell,sothatOffeLiahcouldnotstandthepainoflosinghisfatherandlover,andfinallyfellintotheriveranddied.Inaword,inmymind,Hamlettisaheroandarealhero.PrinceHamletreadinthehumanistcenterofwaidenbergUniversityingermany.HisuncleClaudiuspoisonedoldHamlet
usurpedthethrone,andmarriedsister-in-law.WhenHamletreturnedhome,hisfather'sghosttoldhimthecauseofhisdeath.Hefollowedtheghostanddecidedtorevenge.AtthesametimethekingbegantosuspectHamlet,ministerinPologneJ'sproposal,theSecretarytotestinhisowndaughter,Hamlet'sOphelia,twoRosenGlanzandJillDinsestudentsandinstructedHamlettotesthim,allhefound.Hamlettookadvantageofthechanceofatheatricaltroupetoperformincourt,confirmedtheghost'swordsanddeterminedtoact.Hepersuadedthekingandhisestrangedmother,whenthekingkilledPoloniuswrong.ThekingsenttoHamletandtwostudentstogotoEnglandtoclaimthetributebythehandsoftheking,togetridofHamlet,HamletfoundconspiracyJiaozhaohalfwayback,denmark.WhenthefatherwaskilledbecauseofOphelia'smadness,suicide.ThekingtooktheopportunitytoprovokeBoluoniesisonLeoTistothenameofthesword,totheswordwithpoisontodeathHamlet.Attheendofasword,Hamlet,king,Queen,Laertes.IthinkHamlet'sembarrassmentthattheburdenofadelicateandinformedmindshoulderingadisproportionate,BittanStruthismoreembarrassingthanemotionalhunger,Firthmorevain.InHamlet'sbody,humanvulnerabilityandenvironmentissocruelandcontrarytoeachother,sothatthisuniquecharacterappearintheconnotationandextensioninthedensethick,toobroadandprofound.MysympathytotransfertothesupportingOllieFatima'sbody,sheissoyoung,mindandbodyisnotmature,manyevenherowntenderunknownwhytheyadvance,arisespontaneously,loveandhate,sufferingtogethersqueezedherweakbody.Herlover,whileeagertobeloved,isoftenawarethatshelovesmorethansheisloved.Sheis
unfortunateandhelpless,notbecauseoftheweaknessofthequality,butsimplybecauseshedoesnotunderstandtheinnocence,ofcoursesheisverypainful,butneverrevealed.Sheismorelikeabird,inordertoseekasylum,tothearmsofHamlet,alas,inhisinsanity,shefellawayfromhisside,fellsoheavy,finallyaccidentallykilledher.Shediedinthehandsofherlovedones,andGodwaskindtoher."Hamlet"isaverysadstory,butfromanumberofcharacters,Iunderstandalot,understandalotofmany......Whatkindofthingisfatelike.Heislikeashadow.Heislikeus.Heiswarmlikethesun,butmoreoften,heisasdeepandterribleasanightmare."ThewillofGodreigns"〔HuoLaxu,actone,anotherpartofthefifthterrace〕,whichisundoubtedlyverypenetrating.ThescriptforHamlett,whichwascreatedin1600~1601,hasbeenpraisedforcenturies.Evennow,hestillfeelslikeamilliondollars.Thisisnottheplotfactor,norisitagoodliterarytechnique,itisreflectedintheproblem.Onalargescale,itdescribesaveryprimitivetragedy,humantragedy.Thecharacters,differentposition,distinctivecharacter,butsufferedthesamethingsby,thatisatthemercyoftheirowndesires,andiscalledthefateofthegreatcage.Suchasituation,perhapssincesomeonehasnotdisappeared.Theyarewiththepeopleofthecoexists.TheprotagonistHamlettfirstfacesthedestructionofhisoriginalidealworld.Inthebeginning,Hamlettwasinacertainsenseof"childhood",hehadnotexperiencedanygreatsetback,
andthelivingenvironmentwasrelativelysimple.Havingstudiedwesternorthodoxy,hethought,"whatanincrediblemasterpiecemanis.".Whatanoblereason.Whatagreatpower.Whatabeautifulinstrument.Whatagentlemove.Actlikeanangelinaction.HowlikeaGodinwisdom.Theessenceoftheuniverse.Primatesofallthings.Intheend,thenobleadmirablefatherdied,andvirtuousmotheroflessthanamonthtoremarryusurpedthethroneuncle.Thismadehimwonderabouttheworld.Thissuspiciondirectlycontributedtohissubsequenthesitation.Hesawaghost,thatistheoriginalunclekilledhisfather,whichaddhimtotherealisticsocialdisappointment,ofitsoriginalinnocenceagaindeniedthathedoesnottrust,"Ihaveseentheghostmaybethedevilindisguise".Later,aftertheoperafounduncle'scrime,hestilldidnotstophishesitation.Why.Hamlettwasnotthekindofmanwhoshouted,andthedoubtmadehimthink.Theoriginalperfectstuffthatdoesn'texist,butarrivedchastemoraldesire,overcomegreed.Hethoughthemightgotorevenge,buttheimmoralmanwashismother,andhehadherblood.Buttheunclewhokilledhisfatherwasashumanashewas,andownedbyman.Butevenifrevengesucceeds,willeverythingcomeback..Tothisend,hesaid,"tobeornottobe,thisisaquestionworththinkingabout."livingisapain,butithassuchabsolutefearofdeath.Hehadanunanswerablequestion,buthecouldnotescapeit.Hamlett'ssituationisnotunique,carefulanalysis,wecanfindthatthebighandsoflifeforeveryoneissotightgrip.Theoldkingdied,andthequeenandNevermind.Butasawoman,
shefacestwochoices,thatis,moralityordesire.Tobeawidow,toprotectherself,ortomarryanewkingtomeethisownneeds..Thiscanbeunderstoodastheseparationofspiritualdesiresfrommaterialdesires.Shechosethelatter.However,shewasscornedandcriticizedbyHamlett,andthemoralemptinessbroughtherconsiderablepain.Infact,thequeenwasakindperson,andshewasnotmorallycorrupt.So,whatarethestainsinhersoul.Didn'tyou.Wouldshebehappyevenifshehadchosenmoralityatfirst.Themomentthekingdied,hermisfortunesweredecided.Fromthestart,shecouldnotchangethemisfortune.Inthefinalanalysis,sheischoosingwhatkindofmisfortune,ratherthanchooseherowndestiny.Thenewking,theunclewhousurpedthethrone,wastheworstvillainintheplayandamoralvillain.Hewasbentonthethroneandhadalustforthequeen.Butthekingissomeoneelse.Itwashisbrotherwhowasdoomedtothethrone.Wecancallthisfatesomethingthatwillneverbegiventohim.Likeallthepeopleinthedrama,hewasfacedwiththedisappearanceofhisidealworld.Buthetriedhardtowin.Infact,atthemoment,heshowedaheroicspirit.Hebravelyfoughtforsomethingthatwasnothisown.Andhistragedylieshere.Hepaidtheprice,hishandscoveredwithotherpeople'sblood.Hewasunabletoconfess.Later,whenhefoundoutthatHamletthadlearnedthetruth,hebegantosavehishard-earnedhappiness.Hewanderedbetweensinandreason,andatlasthedidnotjumpoutofhispoisonedsword.LetisandI:thefateofXiaandHamlettsurprisinglysimilar.Theirfatherwaskilledlikethat.Inthechoiceofsurvivalordestruction,Ichosethelatter:Xia,escape,shechoseDutch
act.Inthechoiceofrevenge,Hamlettwasentirelytheoppositeofrevenge.EveninthefaceofHamlett,theprinceofDenmark,thefuturekingtowinthesupportofthepeople,hestillshoutedout"soAfightingspiritsoarsaloft.isanoblefatherIjustdieinvain,agoodsisteristhiswhitecrazy.......Myrevengewillcomeoneday.Suchvoicesrepresentafightingspirit.Heisthesameasthenewking.ButfinallydiedinthetrapthatthenewkingdesignedforHamlett.ThetwoofthemcanberegardedasasupplementtoHamlett'scharacter,andinrevenge,allthechoicesaredirectedatthesameendintheinevitabledeath.Wefindthatallthecharactersintheplayarefacedwithaverypowerfulforce,thatis,theexternalworld.Theywereashappyaschildren,livinginahotbedofgoodheavenforthem.Untilonedaytheyfoundoutthatthebabywasactuallyadeepmarsh,andhowtinyhewas."ThisisaTopsyturvyera.Alas,unfortunately,Iamresponsibleforreformingtheuniverse."".Hamlettfirstdiscoveredhisincompetence.Itwasnotonlyhisincapacityforrevenge,butalsotheimpotenceoftheactofrevenge.Theking'susurpationofthethrone,Thequeenremarried,havedifferentmeaningandthecommonbehavior.Theyallfailedtoachievewhattheywantedtoachieve.Instead,hefellintoanotherpredicament.Anotherplayinthisplayiscalledtheprince'srevenge.Infact,thePrincedidnotgivetheoldkingrevenge,althoughhefinallystabbedthenewking,butinthegreatersense,forthedyinghimself.Hisrevengewasafailurebecausehehadbeenlost,hehatedtheworld,andhehatedhimself.Heissneering
atothersandconstantlyblaminghimself.Hetriedtodosomething,butmoreoftenhedidnotmove.Hisimageismorelikeabitterwisemanthantheheroicrecklessnessofothers.Hemademorementalprotests.UnlikeHamlett'sstagnation,othersfoughtinaction.Thenewkingkilledtheoldking,andtrytoclearhisconfessionofsin,andtosecurethethronebykillingHamlett.LetisandthekingcarriedouttheplaninanattempttomakeHamlettpayforthedeathofhisfather.I:Xiacastlake.Andtheghostwhoinstructedhischildtoavengehimself,hisfeelings,grief,andresoluteattitude.Butintheend.Whenthenewkingdies,hemaybesaidtohavebeenavenged.Deathwasover,andtheplanfailed.HamlettdiedintheRevengeofothers.Theghostisstillundergroundandcan'tgotoheaven.SomepeoplesaythatHamlett'splotistoofarfetched,howcouldeveryonedie..Butthat'sthereality.Heshowedusthefinaloutcomeofagroupofpeoplewhofoughtagainstfate.Theytrytochangetheirfate,andnothingissaved.Theytrytosavethepastandgetwhattheyget.Thiskindofhelplessnessdependsoneachandeveryone,andperhapsthegreatestmisfortuneofmanhimself.ThetragedyofHamlettiswitheveryone,ineveryway,andatalltimes.TosaythatHamlettisaman'stragedyisbetterthanacenturyofrenaissance.Somepeoplesayheisavictimofthemodernizationprocessinthewest.Shakespearewatchedthedarkagesspreaduglyface,heusedhispentohaveblueskiesroared
tothesociety'scomplaint,sohewillbeamicrocosmoftheworldwiththestructure,andthencreateanidealSavior,asindespairafterthelastglimmerofhope,lookedverysadintheworldthelivingChristwasstrangled.Hestilldidnotfeelenough,hewantedamagnificentending,withabitofselfmockery,sothatthenobleandgorgeousprinceinthemostgorgeous,mostjusticewaytodie,sotheemergenceof"Hamlett.".Theplaycanbeseeneverywhere,liketheauthordepictedHamlettasaheroofthetimes,intheharshconditionsofweak,hedaredtotitfortatstruggle,hebrokeacraftykinglaidatrap:thefirstistoexposetheBoluoniesiandRosenCraneetalforspyingandsurveillanceandtousethemirrortrick;thequeenherselfthen,theconscience;the"switching"easilyremovedtwostoogescraftyking,thecraftyking"."theplotshattered;finally,"eyeforthehumanbody,thedoubletrap-Swordandwinetothecraftyking.Ineachroundofthestruggle,Hamlettseemedtallandtall.Toliveorperish,thatisaquestion.ConvincedthatthissentencerunsthroughHamletteventuallybroughtregret,towardtheendoflife.Theauthorscreamedatussarcastically,"look.".EvenifwetrusttheSaviorofjustice,wecannotescapefromfate.Aslongasheliveshere,hecanonlydie.Onlydeath.Thewholetimeisoutofhand,ah.ReallybadThereisaneedforanageofdisconnectiontotellpeoplethattheethicsweoncebelievedinarenolongerhere.Themodern
principlehasnoalternativetothedestructioncausedbytraditionalethics.TurgenevsaidHamlettinthedisjointedera"inthewholeworldtofindhissoultoclingtothings",isthetaskofrestructuringthecourseand"bad"feelinghadseenHamlettoutofconflictingclues.Itcanbesaidthatwhenthesocialorderisoutoforderandthepeople'sorderhasnotbeensettled,Hamlett'shearthasastrongsenseofjusticewhichisnotcompatiblewiththetimes.Hemustrestructurethesociety.Actually,Hamlettdidn'twantto.But,butinvoluntarilytotakeonthisresponsibility.ItisnotsomuchthatHamletttooktheresponsibilityvoluntarilythatitisthetaskthatfallsonHamlett.AlthoughHamletthasadmirablequalities,hardwant,buthealwaysbeuncertain,indismay,heisalwaysalone.Thisisthetragicfateofhisuglyanddie.Whyindismay,beuncertain.ItwasMlet'spartialityforandbeliefinthevalue.Thatistosay,hispreferenceandbeliefinthevaluesenseledtothetragedy.SomepeoplesaidthatifHamlettwaskilledbyPrinceClaudiusJinthefirstact,Hamlett'splayshouldbeclosed.That'sright.TherearetoomanyloopholesintheplaysothatHamlettcankilltheenemywithoutanyeffort.Onepartoftheplaysaid:Rightnow,I'mdoingit.He'spraying.
Idoitnow,heisalifedied,Iwasavenged,too.Itneedstobecounted.Anevilmankilledmyfather,Myonlysonsenttheevilmantoheaven.Obviously,inthethirdact,theprincecouldhaverevenge.Buthedidnot.Why.HewasunwillingtoavengeClaudiusJwhenhewas"washinghissoulaway"becausehisvaluehadfalleninlovewithhim.Hamlettdidnotregardrevengeasapurelyhomicidalincident.Hamlett'srevengeisnotthenegationofClaudiusJhimself,butthevalueofsinembodiedinClaudiusJ.Accordingtothethoughtoftheworld,destroyKloss'sflesh,evenifrevenge,thisistheconsciousnessofsecularlaw.Hamlettdidnotputthissecularlawaboveallelse,heharborsa"finaljudgment"thought,whathewantstodoistointhefleshandsinClaudiusJonedestroyhim,thisistherealrevenge,canmakethesoulofClaudiusJ"helllikethedark,gostraight".AstrongsenseofvaluetoldHamlettthatClaudiusJ,whowasconfessing,wasnotguilty,andhisswordofvengeancehadtobetemporarilyclosed.Bebeyondone'sgraspThisishisinsistence,butalsothetragedyofsorrow.
ThisisShakespearesetarobbery,becauseadheretotheirbeliefswillbebornofsorrow.Thisisatragedythatwecan'trecallagain.Howmanyreadersarenotsatisfiedwiththisproudprince..Justasaproverbsays:OnethousandreadershaveonethousandHamlett.Butpeopleforgotthelatterpartofthesentence:ButHamlettwillneverbekinglear.Hamlett'ssadness,Icannot."Hamlett"isthemostconfusing,orthemostphilosophical.Onesuchevilhadstartedhisfather,mother,andthethronewasassassinated,incestandmarriage,theprinceplayingthefooltorevengeandothercircumstances,canbefoundintheOldNorselegend,especiallytheDanishhistorian"inDanishhistory".Thesedustyoriginaldata,originallyrecordedsomeroughplotsandpalenames,nocharacterinactionatall,butinShakespeare'sworks,readershavefoundthemselvesinthemiddleofagroupoflivingpeople,almostcloselyrelatedwiththem,or.Specialisunbelievable,whichappearedinahundredyearsintheworldandthegloryofthetypicaltooprofoundtobeunderstoodastheacmeofperfection.Aroundtheprotagonist,alotofquestionscanberaised.
Forexample,isHamlettreallycrazyorfakecrazy.What'sthetypicalcharacterofthischaracter.Noneoftheseproblemscanbesolvedbyplotsalone.Thecentralfiguretofullyunderstandandcorrectlyassessthecomplexityofhischaracter,mustfullytakecareofandconflict,knowhimfromtimeoutandreallybad,Iwasborntoputitdownoverthephrase"to"heroicutterance,survivalordestruction,thisisaquestionworthconsideringthedespairsighallheartbackground.Infact,Hamlettisinadelicatetaskofembarrassmentandinformedthesoulshoulderdisproportionate.InGerd'swords,"thisisanoaktree,plantedinavasewhichshouldbeopenedonlyfordelicateflowers."."Hamlett,apure,noble,moral,intellectual,determined,onlytoreplacethebehavior,cannotbecomeaherowhoisthe"vase";thathecannotafford,evenhavenohope,butmustnotshirkresponsibilitiesforrevenge,thatis"oaktree".Oncetherootsof"oaktree"expand,the"vase"willbetocrushit,thisisatragedy.InHamlett,thevulnerabilityandtheenvironmentofhumancrueltyarecontraryandcomplementary,andthisuniquecharacterintheconnotationisdenseandthickintheextensionisbroadandprofound.ItistruethatsomeexpertsclaimthatHamlettisnotanobjective,outdatedcharacter,buteachandeveryoneofus.Shakespearedoesnotbelongtoaneraandbelongstothewholecentury.HisplaysareliketheBigDipperinthestarrysky,whichdirectsthewayforpeople.
"Tobeornottobe,thisisaquestionworthconsidering,"hesaid."Thisquestionisthebasicpropositionofphilosophy.BecauseIjusthappentohimthesethingsledtohisthinkingonthephilosophyoflife,inhislifegoesclockwisewhenheisnotthinkingaboutthisproblem,hesawonlythebrightsideoflifeatthattime,whenlifeisgood,andnow,onesideofthesuddentragedytheforcedhimtofacethedarksideoflifeandhumannatureugly.ItcanbesaidthatHamlettstillhasadeepunderstandingofthedarksideoflife.Heusedtojustturnablindeyetoallthis.Nowthecruelrealityforcedhimtofaceallthis.Hehadahunchthathehadbeendraggedintoatragicfate.Ifhisfatherreallywasmurdered,sotoavengehisfatherbecamehisunshirkablemission.Andhisenemiesandtheking,tokillhim,certainlynotaneasything,butnomatterhowdifficult,murderisnotreported,buthiscurrenttaskistocomeupwithaningeniouswaytoverifywhetherhisunclekilledhisfather.Conspiracy,plotandkilling,theseareHamlettagainstinnocentnature,butitisnecessaryforrevengemission.Inthemoodforloveinlife,Hamlettcarriedaheavyrevengemission,andhisheartwasfullofhatredalldaylong,makinghisheartdarkandheavy,andhewastrappedintheabyssofmisery.HamlettAHamlett:Weng's"Hamlett"isaclassicmasterpiece.Thisbookisnotonthesurface,theplot,andthehistoricallegend
Thereismuchdifference,orspeakstoryoftheprinceofDenmarktoavengehisfather,whichisfullofbloodyviolenceanddeathas.ThedramatispersonaeHoratiosaid:"youcanheartherapeandkilling,abnormalbehaviorrepair,somewhereinthejudgmentofaccidentThekilling,bykillingthecunningofhand,andintoselfharmoutcome."Theelectionputofftheplottwistsandturns,closelyaroundrevengeAndHamlettfromGermanyWittenbergrushedbackhome,istoattendthefuneralofhisfather,sohecan'tAcceptingthathemissedhisfather'sfuneral,hesawthemarriageofhismotheranduncleClaudis,whichhasmadehamDoubtsinmind,Inadditiontothenighttomeet,andhisfather'sspiritsintheroyalcastleontheterraceofsoulswhine,thispileatrocitywasHamlett'suncle,andaskedhimtoavengehisfather.Thus,hebeganthedifficultprocessofvengeance,andClaudisThefightatoutrancecontest.Eventually,aswordofvengeanceagainstClaudis.
Hamletttwo:InallofShakespeare'sworks,"Hamlett"isperhapsoneofthemostcontroversialone,alsoisthemostpopular.Youmaybeattheageof16,"RomeoandJuliet"movedtotearsbutXiaoran,think"theTempest"incomprehensible;whenyouare60yearsold,andwasdeeplythelatterwithmysticismimpressedandcomprehensionoflife,whiletheformerhasbeenunabletostiryourheartwavesagain......Butnomatterwhereyouareinastageoflife,whenyouexperiencearichandprofoundspirituallife,whenyouupgradeyourownpersonality,tofoundanewself,youcanalwaysfindsomethingyouthinkitseemsshouldbelongtotheimmortalthingsin"Hamlet".Asitcomestothechoiceoflife,talkaboutalifehistoryandlifeinthespecificcontextofthepeopleisuniquetohimpersonally,andforallmankindisbeforethecommondestiny,onlyaccumulatedfrompastexperiencewithfinitecanrelyonthecasethechoiceoftheroadoflife.Inasense,hisexperiencealsorepresentsourownexperience,andthefatehefacesissomethingwehavetofaceatsomestageofourlives.Weareinthefaceofdespair,findtruthintheconflict,findthetruthinthefog,toactinadilemmaproblem,reconstructionsystemandspiritualvalueinbuildingastandardandcanmeasurethelossofscaleintheworld......Hamlettisnotperfect,sometimeshischoiceisquiteirrational,impulsive,suchaswhenhestabbedhisswordinangerunderthemistakenKingPolonius,butperhapsheistherationalchoiceofsuchhumanweakness,letusheartilyacceptandagreewithhisartisticimagebecause,weoftencanseehisshadowinhisbody......
Hamlettisalsoextremelycherishthefeelings,inhismadkingtoescapepersecution,hestillcouldnotrestrainthethoughtofOffeDinah,becausehecouldnotbeartolethermadnessandpain,andriskingtheriskthatthekingwroteapoemtoher:'Doubtthouthestarsarefire;DoubtthatthesundothmoveDoubttruthtobea;liarBut;neverdoubtIlove.isthis,Hamlettconstructedhisowntragedyoffate,hecansuccumbtotheirownfate,nottoinquireaboutherfather'sdeaththetruth,butthecharacterofHamlettdidnotallowhimtotakeaquestionoflifeintheordinary,sohedecidedtogoontheroadtofindthetruth,then,aslongasanydecisionsmadebyhimareslightlydifferent,heandotherpeopletheultimatedestinywillchangeChange,buthisexperiencesheagainmadeinwhathethoughtwastherightandisactuallyafatalchoice,finally,Hamlettdidnotfeelsorryforhischoice,hejustwantstoHoratioforhis"inthisharshworlddrawthybreathinpaintotellmystory."becauseeachchoiceeachapersonisinaspecifichistoricalsituationonlyandwillnotberepeated,sohereifHamlettcangobacktomakeachoice,whatwillbeasceneismeaningless;everyoneofusislikethis,itcanbesaidthatineveryoneofushasaHamlett,everyachoiceofwhatwedoisuniqueandirreplaceable,itwilldirectlyaffectourfuturedestiny,notwhatstandardtomeasureourchoiceiscorrect,Weareboundtoacceptalltheconsequencesofourchoice,就象哈姆雷特所说的”thingsstanding因此未知,将活在我后面!”或许我们要面对的问题不是象”是或不是”这么严肃,然而,要想在这个布满风险的混沌的世界里做好??而不是做对??每一个挑选都不会简洁;在一个除了目标,再也没有任何尺度可以衡量其善恶的
世界里,勇敢地作出挑选,然后坦然地接受自己的命运,......这就是哈姆雷特永恒的魅力之所在吧哀痛、凄惨、哀思、悲观或死亡、不幸的同义语,它与日常语言中的”悲剧”一词的含义并不完全相同;读莎士比亚的《哈姆莱特》就会有亚里士多德的感受,感受到的是悲剧的美丽与宏大,莎士比亚所塑造的每个人物每一幕都那么每句话都有着戏剧的崇高;这报仇的火焰源起于国王的阴谋;克劳狄斯国王为了争夺先王的王位、王冠与王后,竟不念手足之情将毒药倒入先王的耳腔,谋杀了先王,得到了一切;国王所编的谎言使鬼魂迟迟不能消散;于是,哈姆莱特王子准备替父报仇,安眠游荡人间的鬼魂,由于他多次错过机会,最终虽然杀死了国王,却也死在了同样是替父酬劳的雷欧提斯的剑下;爱情的忠诚与背叛或许是报仇的另一大因素;哈姆莱特也曾想大声唤醒这个背叛了父亲的王后,让王后意识到自己所犯下的罪错;在击剑中,她代饮毒酒而死去;王子虽然在报仇的时候曾让奥菲莉娅万般伤心,然而,在心上人即将下葬的时候,他也曾止控不住心中的哀痛,伤痛不已;即使是报仇的不得已也不能掩盖王子对奥菲莉娅的忠诚、纯洁的爱!从罗森克兰兹与吉尔登斯吞反复无常的探密与告密中,足以见证这两位从小与哈姆莱特王子一起长大的伴侣是如何利用他们与王子之间的交情来换取国王与王后的嘉奖,或是加封爵位,或是赏赐珍宝,而得到的一切有一份真诚的友情中的信任重要吗?霍拉旭虽是个军官,但却在哈姆莱特将要面对未知的危险,对话鬼魂的时候不撇下王子一个人逃走,而是尽自己的力气拉住王子;报仇时他始终没有违反对哈姆莱特王子许下的诺言,只字不提所看到的一切;在哈姆莱特临终之前,他也曾想喝下剩下的毒药,与王子共长眠......哈姆莱特与霍拉旭之间虽是军臣间的忠心耿耿,但更多的是让人们看到了他们心中的
那堵友情之墙!波洛涅斯有一对拥有高尚美德的儿女,然而他自己竟是如此得虚伪,为讨国王、王后的欢心,他不惜出卖女儿的珍贵爱情,他在国王、王后与王子之间油腔滑调,故做媚姿,最终因偷听王子与王后的对话,惨死在哈姆莱特王子的剑下;他的爱管闲事与虚伪不也折射出人性丑恶的一面吗?“生存仍是毁灭,这是一个值得考虑的问题;默然忍耐命运的暴虐的毒箭,或是挺身抗击人世的无涯的苦难,通过斗争把它们扫清,这两种行为,哪一种更珍贵?”哈姆莱特曾这样感叹;也正如哈姆莱特所说的,一只雀子的生死,都是命运预先注定的,而无论是国王的躯体,抑或是